1st Edition
New Approaches to the Archive in the Middle Ages Collecting, Curating, Assembling
Introduction
Emily N. Savage
Part I
Historical Inquiry
Chapter 1
History in the Making: Categories, Techniques and Chronology in Church Collections, c. 800–1400
Erik Inglis
Chapter 2
Reflecting a Golden Age: The Material Composition of History in Mosan Treasuries c. 1500
Elizabeth Rice Mattison
Chapter 3
Collecting, Curating, and Remembering in the Cathedral of Seville: A Portable Written Archive from the Fifteenth Century
Diego Belmonte Fernández
Part II
Use, Management, and Intervention
Chapter 4
The “B-side” of the Parchment: Two Mediaeval Religious Archives from the Kingdom of Leon in Spain
Rafael Ceballos-Roa and María del Carmen Rodríguez-López
Chapter 5
The Locus Credibilis and the Making of Urban Authority: Preserving the Written Word in Metz (Fourteenth to Fifteenth Centuries)
Amélie Marineau-Pelletier
Chapter 6
Almost Sacred? How Bolognese Notaries Shaped the Meaning of Archives, 1289–1294
Sarina Kuersteiner
Chapter 7
Appropriating the Archive: Promoting Legitimacy and Shaping Historical Memory through the Library of John of Lancaster, Duke of Bedford
Orly Amit
Part III
Building the Archive
Chapter 8
The Records of Medieval St Andrews in the University of St Andrews Library
Rachel Hart
Chapter 9
The Ties That Bind: Alliance, Remembrance, and Resilience Gathered in a Flemish Widow’s Psalter
Kathleen Wilson Ruffo
Chapter 10
The Afterlives of Funeral Palls: Notes from the Sacristy of St. Thomas, Prague, c. 1410
Juliette Calvarin
Chapter 11
A Late Medieval Inventory from St. Peter Mancroft, Norwich (BL Stowe MS 871): Register, Record, Teaching Resource
Zachary Stewart
Biography
Emily N. Savage is an Associate Lecturer in the School of Art History, University of St Andrews. She received her PhD from the same institution in 2017 and also holds degrees from the University of York and New York University. Her research and teaching encompasses, broadly, the material culture of late medieval devotion, and she has previously published on the object lives of devotional manuscripts. She is currently leading the development of a new postgraduate program at the intersection of digital humanities and art history for St Andrews.
