New Dramaturgies Strategies and Exercises for 21st Century Playwriting
In New Dramaturgies: Strategies and Exercises for 21st Century Playwriting, Mark Bly offers a new playwriting book with nine unique play-generating exercises.
These exercises offer dramaturgical strategies and tools for confronting and overcoming obstacles that all playwrights face. Each of the chapters features lively commentary and participation from Bly’s former students. They are now acclaimed writers and producers for media such as House of Cards, Weeds, Friday Night Lights, Warrior, and The Affair, and their plays appear onstage in major venues such as the Roundabout Theatre, Yale Rep, and the Royal National Theatre. They share thoughts about their original response to an exercise and why it continues to have a major impact on their writing and mentoring today. Each chapter concludes with their original, inventive, and provocative scene generated in response to Bly’s exercise, providing a vivid real-life example of what the exercises can create.
Suitable for both students of playwriting and screenwriting, as well as professionals in the field, New Dramaturgies gives readers a rare combination of practical provocation and creative discussion.
Chapter 1: The "Sum Forty Tales from the Afterlives" Exercise
Jenny Rachel Weiner’s Introduction
Jason and Julia, by Jenny Rachel Weiner
Chapter 2: Bly’s "Einstein’s Dream" Exercise
Sarah Treem’s Introduction
Against the Wall, by Sarah Treem
Chapter 3: Bly’s "Character’s Greatest Fear" Exercise
Rolin Jones’s Introduction
Last of the Chatterbox Wolves: Grimm History Revisited, by Rolin Jones
Chapter 4: Bly’s "Character’s Greatest Pleasure" Exercise
Marcus Gardley’s Introduction
The Blood Curl of Pigs: A Scene about a Pleasure, by Marcus Gardley
Chapter 5: Bly’s "Kafka’s Train" Exercise
Lindsey Ferrentino’s Introduction
Last Stop Vancouver, by Lindsey Ferrentino
Chapter 6: Bly’s "Music Memory" Exercise
Amy E. Witting’s Introduction
Standing in the Shade, by Amy E. Witting
Chapter 7: Bly’s "Myth" Exercise
Holly Hepp-Galván’s Introduction
A Language to Play With, by Holly Hepp-Galván
Chapter 8: Bly’s "Nashville Film Overlapping Dialogue and Storyline" Exercise
Kenneth Lin’s Introduction
Nashville Film Exercise, by Ken Lin
Chapter 9: Bly’s "Sensory Writing" Exercise
Sunil Kuruvilla’s Introduction
Minus 1, by Sunil Kuruvilla
"Reading Bly’s book was a special treat [...] Many times, when you’re working on a problem and can’t come up with an answer, if you keep reading, the answer will come to you. Such was the case reading New Dramaturgies."
- Edwin Wong, Doing Melpomene's Work