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New Music and the Claims of Modernity





ISBN 9781138269071
Published November 29, 2016 by Routledge
176 Pages

 
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Book Description

Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics. In this study, Alastair Williams identifies and explores the recurring issues and problems presented by post-war music. Part one examines the German philosopher, Theodor Adorno's portrayal of modernity and his understanding of modernism in music. This is followed by a survey of the developments in music from late Beethoven to Schoenberg, the two composers whose works provided the main anchor points for Adorno's philosophy of music. Parts two and three indicate the ways in which Adorno's aesthetics are pertinent to an understanding of new music. Part two comprises a close examination of the music of Pierre Boulez and John Cage, composers who represent extreme, though related, aspects of contemporary music thought: the primacy of structure versus dissolution. Williams' views the music of Ligeti as an exploration of the interface between these two extremes, personifying Adorno's advocation of an aesthetic which attempts to embrace all its dissimilar parts. In part three the consequences of modernism and the aesthetic approaches of Derrida and de Mann are considered, together with the music of Wolfgang Rihm. Williams concludes with a survey of contemporary music and the postmodernist desire to include a range of compositional references.

Table of Contents

Contents: Introductions; Part One Modernity: Critical Theory and Aesthetic Modernity: Modernity; Dialectic of Enlightenment and the Culture Industry; Truth as Negation: Negative Dialectics and Aesthetic Theory; Second Generation Critical Theory; Alienated Music: Beethoven to Schoenberg: The Beethoven Critique and Nineteenth-Century Music; Dialectic of Modernity: Schoenberg and Stravinsky; Part Two High Modernism and After: Construction and Indeterminacy: Boulez and Cage; High Modernism; Boulez's Third Piano Sonata; Cage; Modernism Inside Out; Music and Deconstruction; Illusion and Space: Ligeti; Part III Consequences of Modernism: Separate Ways; A Dialectical Circus on Roaratorio; The Persistence of Modernism: Rèpons; Discourses of Modernity; Aesthetics Reclaimed; Postmodernism; Engaging Tradition; Wolfgang Rihm; In Search of Subjectivity; Bibliography; Name and title Index; Subject Index.

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Reviews

’Alastair Williams' book is a thoroughly researched and intelligent attempt to analyze the philiosophical backgrounds or implications of modernism and postmodernism in music.' Musicae Scientiae, vol 4, no 2