270 pages | 31 Color Illus.
This book focuses on the comparatively unknown cults of new saints in late-mediaeval Venice. These new saints were near-contemporary citizens who were venerated by their compatriots without official sanction from the papacy. In doing so, the book uncovers a sub-culture of religious expression that has been overlooked in previous scholarship.
The study highlights a myriad of hagiographical materials, both visual and textual, created to honour these new saints by members of four different Venetian communities: the Republican government; the monastic orders, mostly Benedictine; the mendicant orders; and local parishes. By scrutinising the hagiographic portraits described in painted vita panels, written vitae, passiones, votive images, sermons and sepulchre monuments, as well as archival and historical resources, the book identifies a specifically Venetian typology of sanctity tied to the idiosyncrasies of the city’s site and history.
By focusing explicitly on local typological traits, the book produces an intimate and complex portrait of Venetian society and offers a framework for exploring the lived religious experience of late-mediaeval societies beyond the lagoon. As a result, it will be of keen interest to scholars of Venice, lived religion, hagiography, mediaeval history and visual culture.
Introduction: Santi novellini in the later Middle Ages
1 Global aspirations: Venice as locus sanctus
2 Cults in the state
3 Cults in the cloister
4 Cults in mendicant communities
5 Cults in the parish
Conclusion: Sanctity alla veneziana
Published under the aegis of The Hagiography Society, this series is dedicated to exploring the concept of sanctity in literary, artistic, ideational, and sociohistorical dimensions. ‘Sanctity in Global Perspective’ publishes monographs and edited volumes that illuminate the lives of saintly figures, the communities dedicated to those figures, and the material evidence of their cults. Our aim is to foster critical scholarship that offers novel conceptualizations and the possibility of crosspollination of ideas across traditions, geographical regions, and academic disciplines. The series is open to all areas of scholarship, without restriction as to religious traditions or time periods.