1st Edition

No Mother, No Future Performing Motherhood and Reproductive Loss

By Kailin Wright Copyright 2026
306 Pages 16 B/W Illustrations
by Routledge

306 Pages 16 B/W Illustrations
by Routledge

No Mother, No Future investigates how theatre and performance use pregnancy loss to represent a lost future. Spanning the twentieth and twenty-first centuries, this book analyzes performances that challenge dominant cultural scripts linking motherhood with futurity and nationhood in Canada and the United States. Combining intersectional feminism with theories of reproductive justice and... Read more

Acknowledgements

Setting the Stage and Staging the Future: Baby Makers as Nation Makers 

An Interview with Maev Beaty About Her Performance of Secret Life of a Mother

 

1.     “A Child Would Die Here”: Motherhood as Nationhood in Marsh Hay and Still Stands the House

 

An Interview with Richard Plant on Directing the First Production of Marsh Hay 

 

2.     “Give Me Children, Or Else I Die”:  The Limits of Radical Motherhood in The Handmaid’s Tale and its Television Adaptation 

 

An Interview with Bruce Miller, the Showrunner of The Handmaid’s Tale Television Series 

 

3.     “We are Still Here”: The Indigenous Child and Futurity in Dry Lips Oughta Move to Kapuskasing and Tombs of the Vanishing Indian

 

An Interview with Yvette Nolan About Directing Tombs of the Vanishing Indian 

 

4.     “The Future Stops Here”: Racial Reproductive Futurity in Harlem Duet and Beatrice Chancy

An Interview with Djanet Sears About Writing and Directing Harlem Duet 

 

Afterword: “Resistance that’s Embodied” 

Index

Biography

Kailin Wright is Associate professor of Canadian theatre and literature at St. Francis Xavier University in Nova Scotia, Canada.