This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes.
This leads to a reconsideration of how to define collecting and display by analyzing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavor.
This book will be of interest to scholars in art history, museum studies, Chinese studies, and design history.
Table of Contents
1. Collections and Collecting; 2. Kustaa Hiekka’s World Tour Souvenirs on Display; 3. Sophus Black and Living in Chinese Style; 4. Osvald Sirén and Scholarly Souvenirs; 5. The Didrichsens: A Modernist Home for Chinese Objects; 6. Conclusion
About the Series
The Histories of Material Culture and Collecting provides a forum for the broad study of object acquisition and collecting practices in their global dimensions from 1700 to 1950. The series seeks to illuminate the intersections between material culture studies, art history, and the history of collecting. It takes as its starting point the idea that objects both contributed to the formation of knowledge in the past and likewise contribute to our understanding of the past today. The human relationship to objects has proven a rich field of scholarly inquiry, with much recent scholarship either anthropological or sociological rather than art historical in perspective. Underpinning this series is the idea that the physical nature of objects contributes substantially to their social meanings, and therefore that the visual, tactile, and sensual dimensions of objects are critical to their interpretation. This series therefore seeks to bridge anthropology and art history, sociology and aesthetics. It encompasses the following areas of concern: 1. Material culture in its broadest dimension, including the high arts of painting and sculpture, the decorative arts (furniture, ceramics, metalwork, etc.), and everyday objects of all kinds. 2. Collecting practices, be they institutionalized activities associated with museums, governmental authorities, and religious entities, or collecting done by individuals and social groups. 3. The role of objects in defining self, community, and difference in an increasingly international and globalized world, with cross-cultural exchange and travel the central modes of object transfer. 4. Objects as constitutive of historical narratives, be they devised by historical figures seeking to understand their past or in the form of modern scholarly narratives. The series publishes interdisciplinary and comparative research on objects that addresses one or more of these perspectives and includes monographs, thematic studies, and edited volumes of essays.
BISAC Subject Codes/Headings:
- ART / Collections, Catalogs, Exhibitions / General
- ART / History / General
- ART / European
- ART / History / Modern (late 19th Century to 1945)
- ART / Asian
- ART / Museum Studies
- HISTORY / Asia / China
- HISTORY / Modern / 20th Century
- HISTORY / Europe / Scandinavia