1st Edition

On South Bank: The Production of Public Space

By Alasdair J.H. Jones Copyright 2014
304 Pages
by Routledge

302 Pages
by Routledge

302 Pages
by Routledge

Tensions over the production of urban public space came to the fore in summer 2013 with mass protests in Turkey sparked by a plan to redevelop Taksim Gezi Park, Istanbul. In London, concomitant proposals to refurbish an area of the ’South Bank’ historically used by skateboarders were similarly met by staunch opposition. Through an in-depth ethnographic examination of London’s South Bank, this... Read more
1: Introduction; 2: Public Space as a Research Setting; 3: Boundary Effects; 4: South Bank as Theme Park? Public Space and the Practical Accommodation of Disorder; 5: Play and Public Space; 6: ‘The Stamp of the Definitive' 1; 7: Conclusion

Biography

Alasdair Jones is Lecturer in Qualitative Research Methodology at the Department of Methodology, London School of Economics & Political Science, UK.

’In this detailed exploration of London's South Bank, Jones provides a timely exploration of what is a truly public or social space. Navigating issues of design, politics, ethnography, finance, planning and performance, On South Bank is a thoughtful and timely contribution to our understanding of both the South Bank itself and public spaces in general.’ Iain Borden, Bartlett School of Architecture, University College London, UK 'On South Bank: The Production of Public Space, by Alasdair J. H. Jones, is a compelling read, which explores the tensions between the coming of public space as a design subject and its concomital erosion, transfiguration and closing down by forces more powerful than its everyday users and architects ... As both an academic and ordinary member of the public, I would recommend On South Bank to a wide and diverse audience'. Journal of Urbanism

 

'Alasdair Jones presents us with an ethnographical account of street-level socio-spatial relations on London’s South Bank. Here, the mixture of public and privately owned spaces such as the Southbank Centre, along with their distinct groups of users and an active transformation during the course of the author’s investigation, make for a set of power relations worthy of empirical study…As is often the case with good research, the book is undoubtedly a labour of love and was influenced by prior personal connections to the site of the study, as the author himself used to skate in the undercroft. However, far from giving only a skewed narrative of skating, the book provides a vivid account of the South Bank, focussing on the complexities of privately owned space that is not only publicly accessible, but designated to serve the public.' The London Journal