Opera in Performance : Analyzing the Performative Dimension of Opera Productions book cover
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Opera in Performance
Analyzing the Performative Dimension of Opera Productions



  • Available for pre-order. Item will ship after September 28, 2021
ISBN 9780367645021
September 28, 2021 Forthcoming by Routledge
216 Pages 44 B/W Illustrations

 
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Book Description

Opera in Performance elucidates the performative dimension of contemporary opera productions.

What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera.

This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.

Table of Contents

 

List of Illustrations

Acknowledgments

Introduction Opera and the Performative

Part 1 Theoretical Foundations

Chapter 1 Beyond Interpretation

Chapter 2 Beyond Semiotics: The Interplay of Representation and Presence

Chapter 3 Theories of Performance and the Performative

Chapter 4 The Entanglement of the Senses: Premises from Perception Theory

Part 2 Analytical Approaches

Chapter 5 Symbioses and Contestations: The Interaction of Auditory and Visual Elements

Chapter 6 The Interplay of Representation and Presence in Performance

Chapter 7 The Voice and the Body in Opera Performances

Chapter 8 Rhythm and Experiences of Time in Opera

Chapter 9 The Future of Opera? On the Mediated Experience and Distribution of Opera Performances

Conclusion

List of Performances Discussed

Bibliography

Index

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Author(s)

Biography

Clemens Risi is professor of theater studies at the Friedrich-Alexander-Universität Erlangen-Nürnberg.