This new study from Ben Highmore looks at the seemingly banal world of objects, work, daily media, and food, and finds there a scintillating array of passionate experience. Through a series of case studies, and building on his previous work on the everyday, Highmore examines our relationship to familiar objects (a favourite chair), repetitive work (housework, typing), media (distracted television viewing and radio listening) and food (specifically the food of multicultural Britain). A chair allows him to consider the history of flat-pack furniture as well as the lively presence of inorganic ‘stuff’ in our daily lives. Distracted television watching and radio listening becomes one of the preconditions for experiencing wonder through the media.
Ordinary Lives links the concrete study of routine existence to theoretical reflection on everyday life. The book discusses philosophers such as Jacques Rancière, William James and David Hume and combines them with autobiographical testimonies, historical research and the analysis of popular culture to investigate the minutiae of day-to-day life. Highmore argues that aesthetic experience is embedded in the mundane sensory world of everyday life. He asks the reader to reconsider the negative associations of habit and routine, focusing specifically on the intrinsic ambiguity of habit (habit, we find out, is both rigid and adaptive). Rather than ask ‘what does everyday life mean?’ this book asks ‘what does everyday life feel like and how do our sensual, emotional and temporal experiences interconnect and intersect?’
Ordinary Lives is an accessible, animated and engaging book that is ideally suited to both students and researchers working in cultural studies, media and communication and sociology.
Ben Highmore’s Ordinary Lives is a groundbreaking intervention into the burgeoning field of everyday life studies. It takes contemporary cultural studies into some exciting new critical directions […] Highmore’s book is digressive but always coherent, deeply personal but always scholarly, entertaining and evocative but always rigorous and thought-provoking – Joe Moran, Reader in Cultural History, Liverpool John Moores University, UK
'"Ordinary Lives", in its refusal to engage with 'The Media', provides a clear and politically important framework for us to use with students to help draw 'microsketches of ordinary media reception'.' - POV
Selected Contents: Acknowledgements Permissions Preface Chapter 1. Introduction Chapter 2. Everyday Aesthetics I. Enlightenment Aesthetics II. John Dewey and the Grain of Experience III. Jacques Rancière and the Distribution of the Sensible Chapter 3. Familiar Things Chapter 4. Doing Time: Work Life Chapter 5. Absentminded Media Chapter 6. Senses of the Ordinary Chapter 7. Conclusion: Towards a political aesthetics of everyday life Bibliography Index