198 pages | 8 Color Illus. | 30 B/W Illus.
These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
"This emphasis on the chronological margins of Modernism should not come as a surprise either, since Modernism and ornament are two notions that are often positioned in diametrically opposed way. The famous, but not always well read or contextualized slogan of Alfred Loos, ‘Ornament is crime’, is the best-known symptom of this antagonism, which the interesting collection edited by art historian Loretta Vandi aims to question. And it does so very successfully, thanks to the rich and sophisticated historical reconstruction and close-reading of many debates, publications, and realizations having to do with ornaments."
Table of Contents
List of Illustrations
Owen Jones’s Theory of Ornament
Isabelle J. Frank
Function, Fiction, Flux and Silence:
Ornamental Theory, Science, and the Modern Search for Aesthetic Volition
Debra K. Schafter
August Schmarsow’s Theory of Ornament
The Veil of Truth?
Van de Velde, Muthesius, and the Battle over Ornament in Modern Architecture
Ole W. Fischer
Ornament, Image, and Tension in Ernst Gombrich’s Theory of PerceptionLoretta Vandi & Pavlos Jerenis
Routledge Research in Art History is our home for the latest scholarship in the field of art history. The series publishes research monographs and edited collections, covering areas including art history, theory, and visual culture. These high-level books focus on art and artists from around the world and from a multitude of time periods. By making these studies available to the worldwide academic community, the series aims to promote quality art history research.