Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.
Table of Contents
Contents: Introduction, Tom Nichols. Part I Others and Outcasts in Northern Art of the 16th Century: Picturing antichrist and others in the Prado 'Epiphany' by Hieronymous Bosch, Debra Higgs Strickland; The vagabond image: representing false beggars in northern art of the 16th century, Tom Nichols. Part II Imagery of the Deserving and Institutionalised Poor in Italian Art: Poor substitutes: imaging disease and vagrancy in Renaissance Venice, Philip Cottrell; Poverty and papal piety in Rome, ca.1600: painting, pastoralism, and spectacle, Peter Higginson; Blindness, lameness and mendicancy in Italy (XIV-XVIII centuries), Livio Pestilli. Part III Insiders/Outsiders: Visualising the Social Margins: The Caravaggesque toothpuller, John Gash; Relics of the Golden Age: the vagabond philosopher, Helen Langdon; Constructing the black slave in early modern Spanish painting, Carmen Fracchia; 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals, M.A. Katritzky; In search of the marginal and outcast: the 'lower orders' in the cries of London and Dublin, Sean Shesgreen. Index.
Dr Tom Nichols is Lecturer in the Department of History of Art, University of Aberdeen, UK. His other published work includes Tintoretto: Tradition and Identity (Reaktion Books, 1999) and The Art of Poverty: Irony and Ideal in Sixteenth Century Beggar Imagery (Manchester University Press, 2007).