1st Edition
Otherworldly John Dryden Occult Rhetoric in His Poems and Plays
By Jack M. Armistead
Copyright 2014
198 Pages
by
Routledge
200 Pages
by
Routledge
200 Pages
by
Routledge
Also available as eBook on:
Reminding readers of John Dryden’s persistent use of occult rhetoric, Jack M. Armistead argues that Dryden’s otherworldliness involves more than Christian apologetics, biblical typology, or intermittent borrowings from the supernatural materials in classical literature. Rather, it manifests throughout his career in occult materials drawn from many traditions, including but going well beyond the... Read more
Introduction; Chapter 1 The Early Poems, 1649–63; Chapter 2 The American Plays, 1664–65; Chapter 3 Annus Mirabilis and The Tempest, 1667; Chapter 4 Tyrannick Love and The Conquest of Granada, 1669–71; Chapter 5 The State of Innocence, Aureng-Zebe, and the Limits of Poetic Vision; Chapter 6 All for Love, 1677; Chapter 7 Oedipus, Troilus and Cressida, and The Spanish Fryar, 1678–80; Chapter 8 Absalom and Achitophel, The Medall, The Duke of Guise, and Albion and Albanius, 1681–85; Chapter 9 Later Public Poems, Elegies, and Poems about Art, 1685–96; Chapter 10 King Arthur, 1691; Chapter 101 Conclusion The Secular Masque, 1700;
Biography
Jack M. Armistead was Professor of English at the University of Tennessee and liberal arts Dean at James Madison and Tennessee Technological universities. Currently he is the retired Provost and Professor of English Emeritus at Tennessee Tech. His research field is Restoration and 18th-Century British Literature, and he has written two other books, edited a third, and for twenty-five years served as founding editor of Restoration: Studies in English Literary Culture, 1660-1700.
