Do our writings and our utterances reflect or describe our world, or do they intervene in it? Do they, perhaps, help to make it? If so, how? Within what limits, and with what implications? Contemporary theorists have considered the ways in which the languages we speak might be ‘performative’ in just this way, and their thinking on the topic has had an important impact on a broad range of academic disciplines.
In this accessible introduction to a sometimes complex field, James Loxley:
For students trying to make sense of performativity and related concepts such as the speech act, ‘ordinary language’, and iterability, and for those seeking to understand the place of these ideas in contemporary performance theory, this clear guide will prove indispensable. Performativity offers not only a path through challenging critical terrain, but a new understanding of just what is at stake in the exploration of this field.
Introduction 1. From the Performative to the Speech Act: J.L. Austin 2. Philosophy and Ordinary Language: Austin and Cavell 3. A General Theory of Speech Acts: Searle 4. Speech Acts, Fiction and Deconstruction: Searle, Fish and Derrida 5. Performativity, Iterability and Politics: Derrida and De Man 6. Being Performative: Butler 7. Performativity and Performance Theory
The New Critical Idiom is an invaluable series of introductory guides designed to meet the needs of today's students grappling with the complexities of modern critical terminology. Each book in the series provides:
With a strong emphasis on clarity, lively debate and the widest possible breadth of examples, The New Critical Idiom is an indispensable guide to key topics in literary studies.