1st Edition

Performing Human Consciousness A Philosophical Investigation into the Staging of the Mind

By Vanessa Dodd Copyright 2024
134 Pages
by Routledge

134 Pages
by Routledge

134 Pages
by Routledge

Is the mind like a theatrical performance? This comparison has often been used as a conceptual tool by neuroscientists, philosophers and psychologists in trying to understand what constitutes the human mind, and in particular how the comings and goings and the character transformations on the stage and in the scripted text give us visible access to the hidden workings of the human mind.... Read more

Foreword: A personal journey

Introduction

Part I: The performance of consciousness

Chapter 1:  Going beyond the theatre metaphor    

Chapter 2: Which consciousness        

Chapter 3: What is it like to be conscious?             

Chapter 4: The play’s the thing

Chapter 5: What it is like to be me                                        

Chapter 6: The properties of dreaming consciousness

Part II: The rise of the performance of consciousness in theatre scripts

Chapter 7: Agon                  

Chapter 8: The rise of the psychological play  

Chapter 9: The postmodern play and the internal theatre

Chapter 10: The lyrical return

Chapter 11: The theatre of energetics on the page

Chapter 12: All the mind is staged

Index 

Biography

Dr. Vanessa Dodd is a writer, theatre director, drama practitioner and actor who trained initially at the Royal Central School of Speech and Drama, London. She has had a lifelong interest in philosophy, particularly in the early Romantic philosophers and American transcendentalists and more recently in consciousness studies. She was formerly a senior lecturer in English Literature and Creative Writing at the University of South Wales and at the University of Wales, Newport, where she was also Programme Leader for the Applied Drama course.