1st Edition
'Performing’ Nature Ecology and the Arts in South Asia
Foreword
Jim Sykes
Introduction: Ecology, Music and Community—Exploring Performance in South Asia
Priyanka Basu and Radha Kapuria
1. Music and Intermediality in Trans-Border Performances: Ecological Responses in Patachitra and Manasamangal
Priyanka Basu
2. ‘Nature’ in the Ṭhumrī Genre as Performed by Some Female Exponents of the Pūrab Aṅg: Liminality, Identity and Resistance
Marged F. Trumper
3. Is There Singing in the Time of Crisis? Sounding Flood Songs of Coastal and Riverine Malabar in the Indian Ocean
Ihsan Ul-Ihthisam and Rohini Menon
4. Rain of Life, Rain of Music: Music as Life Power in Indian Thought and Contemporary Musical Traditions
Paolo Pacciolla
5. Singing the River in Punjab: Poetry, Performance and Folklore
Radha Kapuria and Naresh Kumar
6. The Changing Ecology of the Kolkata Tanpura
Budhaditya Bhattacharyya
7. The Changing Landscape of Punjab in Bollywood Film Songs
Julia Szivak
8. Choirs on the Coast: Impact of COVID-19 on Musical Pedagogy and Festivals
Sebanti Chatterjee
Afterword: An Ecology of Sound
Sugata Ray
Biography
Priyanka Basu is Lecturer in Performing Arts at the Department of Culture, Media and Creative Industries, King’s College London, and the author of The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia (Routledge, 2024).
Radha Kapuria is Assistant Professor in South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs (2023).
“This variegated collection of essays explores the multifaceted emotional and pragmatic relationships that music and the performing arts in general have with the environment in the South Asian context. Ranging from “folk” to “classical” and “popular” genres, the contributors cover a significant number of geographical and linguistic locations, as they traverse the Indian subcontinent from the Bengali-speaking regions in the east to the Punjabi-speaking regions of the west, while also meandering to the Dravidian south and Sri Lanka. Peppered with fascinating narratives concerning performance and environment, the volume is a timely contribution to South Asian studies and the interdisciplinary world of the Anthropocene.”
Frank J. Korom, Professor Emeritus of Religion & Anthropology, Boston University
"This expansive volume is a critical contribution to the environmental turn in South Asian Studies, offering insights into the connections between the environment and performing arts in South Asia. Through a series of careful ethnographic and archival studies, the volume sheds light on the social and cultural politics of environmental and climate crises in the region. In so doing, it illuminates the necessity and possibilities for understanding ecological crisis in historical and geographic context more broadly. It will be of interest to scholars of South Asian Studies and the Environmental Humanities alike."
Kasia Paprocki, Associate Professor in Environment, Department of Geography and Environment, The London School of Economics and Political Science (LSE)
“This pioneering volume on ecomusicology in South Asia offers deeply generative responses to the issues of climate change, climate crisis, and the Anthropocene from the standpoint of the study of performance in South Asia. From essays on hydropoetic vernacular song-texts to religious responses to the pandemic through music, this exceptional volume maps the ways in which intermedial somatic and performative practices come to bear upon issues of risk, crisis, and threat in the natural world. These instructive and persuasively argued essays provoke and challenge us to think about South Asian performance in expansive and timely new directions.”
Davesh Soneji, Associate Professor, Department of South Asia Studies, University of Pennsylvania
