1st Edition

Performing Race and Torture on the Early Modern Stage

By Ayanna Thompson Copyright 2008
188 Pages
by Routledge

192 Pages
by Routledge

192 Pages
by Routledge

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially... Read more

Illustrations.  Acknowledgments  1. Interrogating Torture and Finding Race  2. A Matter that is No Matter: Religion, Color, and the White Actress in The Empress of Morocco and Xerxes  3.  When Race is Colored: Abjection and Racial Characterization in Titus Andronicus and Oroonoko  4. Racializing Civility: The Indian Emperour, or The Conquest of Mexico by the Spaniards  5. Racializing Mercantilism: Amboyna: or, The Cruelties of the Dutch to the English Merchants  6. Combating Historical Amnesia: On the Images of Prisoner Abuse from Abu Ghraib.  Notes.  Bibliography.  Index

Biography

Ayanna Thompson in Assistant Professor of English and Women and Gender Studies at Arizona State University. Her edited collection, Colorblind Shakespeare: New Perspectives on Race and Performance, was published by Routledge in 2007.