1st Edition
Performing the Cold War in the Postcolonial World Theatre, Film, Literature and Things
1. Introduction
Christopher B. Balme
2. Aesthetic World-Systems: Mythologies of Modernism and Realism
Monica Popescu
Part I: Networks and Institutions
3. Cold War Mobilities: Eastern European Theatre Going Global
Viviana Iacob
4. Theatre for Influence: American Cultural and Philanthropic Missions in West Africa During the Early Cold War
Gideon Ime Morison
Part II : Cultural Diplomacy
5. "Propaganda Was Almost Nil"?: Soviet Books and Publishing in India in the 1960s
Severyan Dyakonov
6. Indo-Soviet Circus Exchanges During the Cold War: State Propaganda or a People’s Art Form?
Aastha Gandhi
Part III: Artists and Agency
7. Narratives of Education and Migration: From La Noire de… (1966) to Octobre (1993)
Gesine Drews-Sylla
8. Brecht as a Tool for Cultural Development: East German ITI Events for Theatre Artists from the "Third World"
Rebecca Sturm
9. "Clean Tablets to Write Upon": Ibsen’s Brand in Riga and Moscow in the 1970s
Vita Matiss
Part IV: Cultures of Things
10. Soviet Books, Geopolitical Imagination and Eclectic Solidarities in India
Sudha Rajagopalan
11. National Theatres in Africa Between Modular Modernity and Cultural Heritage
Christopher B. Balme
Biography
Christopher B. Balme is professor of Theatre Studies and a director of the Käte Hamburger Research Centre global:disconnect at LMU Munich, Munich, Germany.






