Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni (Hardback) book cover

Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni

By Ruth S. Noyes

© 2017 – Routledge

348 pages

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Hardback: 9781472484796
pub: 2017-09-18
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Description

Peter Paul Rubens and the Crisis of the Beati Moderni takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy’s desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. Peter Paul Rubens and the Crisis of the Beati Moderni offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602.

Table of Contents

Table of contents to come.

About the Author

Ruth S. Noyes is Visiting Assistant Professor of Art History at Wesleyan University, USA.

About the Series

Sanctity in Global Perspective

Published under the aegis of The Hagiography Society, this series is dedicated to exploring the concept of sanctity in literary, artistic, ideational, and sociohistorical dimensions. ‘Sanctity in Global Perspective’ publishes monographs and edited volumes that illuminate the lives of saintly figures, the communities dedicated to those figures, and the material evidence of their cults. Our aim is to foster critical scholarship that offers novel conceptualizations and the possibility of crosspollination of ideas across traditions, geographical regions, and academic disciplines. The series is open to all areas of scholarship, without restriction as to religious traditions or time periods.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
ART015000
ART / History / General
ART015030
ART / European
ART015090
ART / History / Baroque & Rococo
ART020000
ART / Techniques / Painting
ART035000
ART / Subjects & Themes / Religious
ART037000
ART / Art & Politics
HIS010000
HISTORY / Europe / General
HIS037040
HISTORY / Modern / 17th Century
REL010000
RELIGION / Christianity / Catholic
REL015000
RELIGION / Christianity / History
REL033000
RELIGION / History