182 pages | 48 B/W Illus.
This book examines the photography’s unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium’s ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses. The book features studies of understudied, widespread, practices: studio portraiture, motion studies, panoramas, racing photo finishes, composite college class pictures, planetary photography, digital montages, and extended-exposure images. A closer look at these images and their unique cultural/historical contexts reveals photography to be a unique medium for expressing changing perceptions of time, and the anxiety its passage provokes.
Chapter 1: Photography and Time; Chapter 2: Photography, Instantaneity, and the "Frozen Moment"; Chapter 3: The Fluidity of "Narrative Time"; Chapter 4: Asynchronous, "Sculptural" Time and the Racing Photo Finish; Chapter 5: A "Tapestry" of Synthetic, Hypothetical Digital Time: NASA's Whole-Earth Photogarphs as "Data Visaualizations"; Chapter 6: Conclusions; Index
This new series will publish research monographs and edited collections focusing on the history and theory of photography. These original, scholarly books may take an art historical, visual studies, or material studies approach. Interdisciplinary books are encouraged.