Chapter 1: Photography and Time; Chapter 2: Photography, Instantaneity, and the "Frozen Moment"; Chapter 3: The Fluidity of "Narrative Time"; Chapter 4: Asynchronous, "Sculptural" Time and the Racing Photo Finish; Chapter 5: A "Tapestry" of Synthetic, Hypothetical Digital Time: NASA's Whole-Earth Photogarphs as "Data Visaualizations"; Chapter 6: Conclusions; Index
Biography
Kris Belden-Adams is an Assistant Professor of Art History at the University of Mississippi, and specializes in the history and theory of photography and contemporary art. She is the author of Photography, Eugenics, ‘Aristogenics’: Picturing Privilege (2019), and the editor and contributor of two chapters to the volume Photography and Failure: One Medium’s Entanglement With Mishaps, Flops, and Disappointments (2017).
