1st Edition

Pilgrimage and Politics in Colonial Bengal The Myth of the Goddess Sati

By Imma Ramos Copyright 2017
138 Pages 10 Color & 28 B/W Illustrations
by Routledge

138 Pages 10 Color & 28 B/W Illustrations
by Routledge

138 Pages 10 Color & 28 B/W Illustrations
by Routledge

From the late nineteenth century onwards the concept of Mother India assumed political significance in colonial Bengal. Reacting against British rule, Bengali writers and artists gendered the nation in literature and visual culture in order to inspire patriotism amongst the indigenous population. This book will examine the process by which the Hindu goddess Sati rose to sudden prominence as a... Read more

Contents





Introduction



A myth of dismemberment



Sati and her rise as a patriotic icon



The formation of Hindu identity: From cultural to revolutionary nationalism



Layout of the book





Chapter One



Kalighat souvenirs and the creation of Sati’s iconography



Sati’s place in the visual rhetoric of motherland



Sati’s portrayal in Kalighat pilgrimage souvenirs



The invocation and reinvention of Sati



The romanticisation of martyrdom



Subverting Christian iconography



Shiva, asceticism and Bengali masculinity



Sati, suttee and the story of Padmini



The enduring power of Sati





Chapter Two



Kamakhya’s erotic-apotropaic potency and the forging of sacred geography



Martial and maternal: Kamakhya’s sculptures



The promotion of fertility and protection: Kamakhya’s female archers



Subversive sexuality: The reception of Kamakhya during the colonial period



Colonial mapping versus sacred geography



Bengal’s love affair with Kamakhya: Pilgrimage as a nationalist device





Chapter Three



Tantra’s revolutionary potential: Tarapith and Bamakhepa’s visualisation of Tara



Understanding Tara



Understanding Tantric ritual through Tara



Bamakhepa, Tantra and revolutionary potential



Terrifying and benevolent: Visions of Tara



The sweetening of death





Chapter Four



Contesting the colonial gaze: Image worship debates in nineteenth-century Bengal



Murtipuja, darshan and rituals of consecration



Ram Mohan Roy and the Brahmo Samaj movement



‘Inconsistent with the moral order of the universe’: The Reverend Hastie’s views on murtipuja



The backlash: Bengali responses to Hastie



The Saligram idol case: Murti and artefact



The Attahas and Khirogram Pithas: The charisma of antique murtis





Conclusion





Epilogue



Reviving Sati’s corpse: Mother India tours and Hindutva in the twenty-first century





Bibliography

Biography

Imma Ramos is curator of the South Asia collections at the British Museum in London. Her research interests revolve around the relationship between religion, politics and gender in South Asian visual culture.