1st Edition

Pinocchio, Puppets, and Modernity The Mechanical Body

Edited By Katia Pizzi Copyright 2012
246 Pages
by Routledge

264 Pages
by Routledge

246 Pages
by Routledge

This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and... Read more

Introduction. Katia Pizzi  1. Carlo Collodi and the Rhythmical Body. Between Giuseppe Mazzini and George Sand. Jean Perrot  2. Puppets on a String: The Unnatural History of Human Reproduction. Ann Lawson Lucas  3. Workshops of Creation, Filthy and Not: Collodi’s Pinocchio and Shelley’s Frankenstein. Charles Klopp  4. The Manufacture of a Modern Puppet Type: The Anatomy of Alfred Jarry’s Monsieur Ubu and its Significance. Jill Fell  5. Man is Non-Man: Mannequins, Puppets and Marionettes in the Theatre of Dario Fo. Christopher Cairns  6. Unpainting Collodi’s Fireplace (with an interview with the author). Stephen Wilson  7. Pinocchio and the Mechanical Body: Luciano Folgore’s Papers at the Getty Research Institute Library. Katia Pizzi  8. The Myth of Pinocchio. Metamorphosis of a Puppet from Collodi’s Pages to the Screen. Salvatore Consolo  9. The Watchful Mirror: Pinocchio’s Adventures Re-created by Roberto Benigni. Salvatore Consolo  10. Beyond the Mechanical Body: Digital Pinocchio. Massimo Riva

Biography

Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, University of London. She has published volumes on cultural identities, especially A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children’s literature and illustration.