Playing Sick: Performances of Illness in the Age of Victorian Medicine, 1st Edition (Hardback) book cover

Playing Sick

Performances of Illness in the Age of Victorian Medicine, 1st Edition

By Meredith Conti

Routledge

196 pages

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Description

Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires.

Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.

Table of Contents

List of Figures

Acknowledgements

Abbreviations

Introduction

Part One: Performing Consumption

Chapter One Rosy Cheeks and Red Handkerchiefs:

Performing Camille’s Consumption Before, During, and After the Contagionist Turn

Chapter Two Foreign Invaders: The Transatlantic Consumptives

of Sarah Bernhardt and Eleonora Duse

Part Two: Performing Drug Addiction

Chapter Three Early Dramaturgies of Drug Addiction in Stage

Adaptations of Dr. Jekyll and Mr. Hyde and Sherlock Holmes

Chapter Four Master, Martyr, Monster: The Addict Archetypes

of Richard Mansfield and William Hooker Gillette

Part Three: Performing Mental Illness

Chapter Five The Madwoman in the Theatre: Normalizing the

Disordered Female Mind in Ellen Terry’s Lyceum Repertoire

Chapter Six Abortive Masculinity, Social Decay, and

Neuroticism in Henry Irving’s Mad Roles

 

Conclusion

Index

About the Author

Meredith Conti is Assistant Professor of Theatre at the University at Buffalo, SUNY, USA. A historian of nineteenth-century theatre and performance, Conti’s work has appeared in Journal of American Drama and Theatre, Journal of Dramatic Theory and Criticism, and Victorian Medicine and Popular Culture (2015).

About the Series

Routledge Advances in Theatre & Performance Studies

This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering theatre and performance alongside topics such as religion, politics, gender, race, ecology, and the avant-garde, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
HIS015000
HISTORY / Europe / Great Britain
MED039000
MEDICAL / History
PER011000
PERFORMING ARTS / Theater / General
PER011020
PERFORMING ARTS / Theater / History & Criticism