Pop Music Production Manufactured Pop and BoyBands of the 1990s
Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function.
Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how ‘Stay Another Day’ by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention.
This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding’s first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios.
METHODOLOGY: RESEARCH AND INTERVIEW QUESTIONS
CHAPTER 1: BoyBands & Pop Music Culture
CHAPTER 2: The Business of Pop Music Production
CHAPTER 3: Pop Music Production Creativity
CHAPTER 4: Pop Music Songwriting
CHAPTER 5: Pop Production Recording
CHAPTER 6: Pop Music Mixing
CHAPTER 7: Pop Record Examples
CHAPTER 8: Conclusions & Theories
APPENDIX 1 – Technology for Pop Music Production