Popular Fiction : The Logics and Practices of a Literary Field book cover
SAVE
$9.39
1st Edition

Popular Fiction
The Logics and Practices of a Literary Field





ISBN 9780415356473
Published December 29, 2004 by Routledge
192 Pages 1 B/W Illustrations

 
SAVE ~ $9.39
was $46.95
USD $37.56

Prices & shipping based on shipping country


Preview

Book Description

In this important book, Ken Gelder offers a lively, progressive and comprehensive account of popular fiction as a distinctive literary field. Drawing on a wide range of popular novelists, from Sir Walter Scott and Marie Corelli to Ian Fleming, J. K. Rowling and Stephen King, his book describes for the first time how this field works and what its unique features are. In addition, Gelder provides a critical history of three primary genres - romance, crime fiction and science fiction - and looks at the role of bookshops, fanzines and prozines in the distribution and evaluation of popular fiction. Finally, he examines five bestselling popular novelists in detail - John Grisham, Michael Crichton, Anne Rice, Jackie Collins and J. R. R. Tolkien - to see how popular fiction is used, discussed and identified in contemporary culture.

Table of Contents

Introduction  Part 1: Defining the Field  1. Popular Fiction: The Opposite of Literature?  2. Genre: History, Attitudes, Practice  3. Processing Popular Fiction: Bookshops, Fans, Fanzines and Prozines, Organizations  Part 2: Five Popular Novelists  4. (Lo-tech) John Grisham and (Hi-tech) Michael Crichton: Putting the Thriller to Work  5. The Vampire Writes Back: Anne Rice and the (Re)Turn of the Author  6. Jackie Collins, Anti-Romance and the Celebrity Novel  7. J.R.R. Tolkien and Global Terrorism  Conclusion  Bibliography  Index

...
View More

Author(s)

Biography

Ken Gelder is a Reader in English at the University of Melbourne, Australia. His books include Reading the Vampire (Routledge 1994) and, with Jane M. Jacobs, Uncanny Australia: Sacredness and Identity in a Postcolonial Nation (Melbourne University Press, 1998). He is co-editor of The Subcultures Reader (1997) and editor of The Horror Reader (2000), both published by Routledge.