1st Edition
Popular Music in a Digital Music Economy Problems and Practices for an Emerging Service Industry
Introduction 1. Enter The End User: A New Audience for A New Media 2. Why Don’t We Give it Away?: The Value of Free for a New Music Industry 3. Retail Climate Change: From Selling Music to Selling a Service 4. Opening Pandora’s Box: The Problematic Promise of Radio on the Internet 5. Radio on the TV: Music Supervision Taken Seriously 6. In a Land of 360 deals a 1,000 True Fans Can’t Be Wrong: Financing the Social Musician and Online Relationships Conclusion
Biography
Tim J. Anderson is an Assistant Professor in the Department of Communication and Theater Arts at Old Dominion University, US.
"Anderson’s book is a great guide for this new world. In his book, he draws on a wide range of examples from Moby and Lupe Fiasco to Amanda Palmer and Jonathan Coulton. He also introduces readers to the role that music supervisors, such as Alexandra Pastavas, are playing in film and television." --Richard Schur, Drury University, New Books in Music
