224 Pages
by Routledge

224 Pages
by Routledge

224 Pages
by Routledge

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and... Read more

Preface to the English Edition  1. Prologue  2. Drama  Drama and Theatre  Drama and Dialectic  3. Pre-histories  Towards a Prehistory of Postdramatic Theatre  A Short Look Back at the Historical Avant-gardes  4. Panorama of Postdramatic Theatre  Beyond Dramatic Action: Ceremony, Voices in Space, Landscape  Postdramatic Theatrical Signs  Examples  5. Performance  Theatre and Performance  The Present of Performance  6. Aspects: Text - Space - Time - Body - Media  Text  Space  Time  Body  Media  7. Epilogue  8. Afterword  Notes  Bibliography  Index

Biography

Hans-Thies Lehmann is Professor of Theatre Studies at the Johann Wolfgang Goethe Universität, Frankfurt am Main, Germany. His numerous publications include Theater und Mythos (1991) on the constitution of the subject in ancient Greek tragedy, Writing the Political (2002) and, with Patrick Primavesi, Heiner Müller Handbuch (2004).

Karen Jürs-Munby is Senior Lecturer in Drama, Theatre and Performance at the University of Huddersfield.

'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' – Marvin Carlson, Theatre Research International

'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations

'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR