1st Edition

Reading Digital Fiction Narrative, Cognition, Mediality

By Alice Bell, Astrid Ensslin Copyright 2024
218 Pages 14 B/W Illustrations
by Routledge

218 Pages 14 B/W Illustrations
by Routledge

Reading Digital Fiction offers the first comprehensive and systematic theoretical, methodological, and analytical examination of digital fiction from a cognitive and empirical perspective. Proposing the new concept of “medial reading”, it argues for the centrality of an audience’s interest in, awareness of and/or attention to the medium in which a text is produced and received, and which we... Read more

 

Acknowledgements

Chapter 1. Introduction: Digital Fiction, Empirical Research, and Medial Reading

Chapter 2. Second-Person Narration in Ludic Hypermedia Fiction

Chapter 3. Hyperlinks in Hypertext Fiction

Chapter 4. Immersion in Literary Games

Chapter 5. App-Fiction and the Ethics of Ontological Ambiguity

Chapter 6. Orientation and Empathy in VR Fiction

Chapter 7. Conclusion: Medially Reading Digital Fiction

References

Index

Biography

Alice Bell is Professor of English language and literature at Sheffield Hallam University, UK. She researches digital fiction, narratology, stylistics, and empirical literary methods. Her publications include The Possible Worlds of Hypertext Fiction ( 2010), Digital Fiction and the Unnatural (co-authored with Astrid Ensslin, 2021), Possible Worlds Theory and Contemporary Narratology (co-edited with Marie-Laure Ryan, 2019), and Style and Reader Response (co-edited with Browse et al., John Benjamins Benjamins, 2021).

Astrid Ensslin is Professor of Digital Cultures and Communication at the University of Regensburg, Germany, where she directs the Digital Area Studies Lab (DAS|LAB). Her research sits at the intersections between digital culture, critical media studies, narratology, sociolinguistics, digital humanities, and empirical audience research. Recent publications include The Routledge Companion to Literary Media (co-edited with Julia Round and Bronwen Thomas, 2023), Pre-web Digital Publishing and the Lore of Electronic Literature (2022), and Digital Fiction and the Unnatural (co-authored with Alice Bell, 2021).