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Routledge
290 pages | 5 B/W Illus.
Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.
Contents
Introduction
Karen L. Edwards, Derek Ryan, Jane Spencer
Part I Testing Metaphor
1. Entities in the World: Intertextuality in Medieval Bestiaries and Fables
Carolynn Van Dyke
2. Una’s ‘Milkewhite Lambe’
Karen L. Edwards
3. Behn’s Beasts: Aesop’s Fables and Surinam’s Wildlife in Oroonoko
Jane Spencer
Part II Plotting Agency
4. Shakespeare’s Animal Parts
Philip Armstrong
5. Exit Pursuing a Human: Performing Animals on the Early Modern Stage
Andy Kesson
6. Collaborative Agency: Animals in Hardy’s Rural Novels
Virginia Richter
Part III Inscribing Voice
7. Counting Animals: Nonhuman Voices in Lear and Carroll
Kaori Nagai
8. ‘What am I?’: Locating the Indeterminate Voices of Ted Hughes’s Animal Poems
Carrie Smith
9. "Thou, Spotted Eros": Love Poetry, Taxonomy, and the Erotics of Adamic Naming
Matthew Margini
Part IV Exploiting Bodies
10. The Hunting of the Hare: Female Virtue and Companionate Marriage in Henry Fielding’s Joseph Andrews and Tom Jones
Adela Ramos
11. "Filth and Fat and Blood and Foam": Animal Capital, Commodified Meat, and the "Human" in Great Expectations
Jennifer McDonell
12. Fiction, Fashion, and the Victorian Fur Seal Hunt
John Miller
Part V Loving Dogs
13. Animal Intimacies: Cross-Species Affect and the Lapdog Lyric
Laura Brown
14. Anthropomorphism, Personification and Humanization in William Wordsworth’s Dog Poems
James P. Carson
15. "Was it Flush, or was it Pan?": Virginia Woolf, Ethel Smyth, and Canine Biography
Derek Ryan
In recent years, many disciplines within the humanities have become increasingly concerned with non-human actors and entities. The environment, animals, machines, objects, weather, and other non-human beings and things have taken center stage to challenge assumptions about what we have traditionally called "the human." Informed by theoretical approaches like posthumanism, the new materialisms, (including Actor Network Theory, Object-Oriented Ontology, and similar approaches) ecocriticism, and critical animal studies, such scholarship has until now had no separate and identifiable collective home at an academic press. This series will provide that home, publishing work that shares a concern with the non-human in literary and cultural studies. The series invites single-authored books and essay collections that focus primarily on literary texts, but from an interdisciplinary, theoretically-informed perspective; it will include work that crosses geographical and period boundaries. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.
