1st Edition

Reading Wayde Compton Geohistorical (Re)Constructions of Black Vancouver

By Fernando Pérez-García Copyright 2025
192 Pages 2 B/W Illustrations
by Routledge

192 Pages 2 B/W Illustrations
by Routledge

This book is a comprehensive analysis of the literary oeuvre of Wayde Compton, examining the interplay between modes of literary production, urban commemoration, the formation of Black racial identity on the margins of the diaspora, and coalitions of solidarity with other communities in Vancouver. Stemming from an interdisciplinary perspective that blends Spatial Literary Studies, Hip hop... Read more

Acknowledgements

Introduction

Chapter 1: Writing against Elision: The Role of Hogan’s Alley and Heritage Circulations in the Re-rooting of Black Vancouver

Chapter 2: Hip hop Aesthetics and Remixing Genealogies: Decentring the Western Universality from the Margins

Chapter 3: The Trickster’s Disruptive Liminality: Remixing Blackness in the Diasporic Crossroads

Chapter 4: Otherwise Vancouver in “The Lost Island”: From a Dialectic of Conquest to Transmodern Coalitions of Solidarity

Chapter 5: Multiculturalism-from-below in The Outer Harbour. Towards a Transmodern Cosmopolitanism

Conclusions

Index

 

Biography

Fernando Pérez-García is Assistant Professor in the Department of English at the University of Oviedo, Spain, and a member of the consolidated research group Intersections: Literatures, Cultures and Contemporary Theories, and the University Institute in Gender and Diversity. His research focuses on the intersection of race, space and gender in contemporary Black Canadian literature from the perspective of the transmodern paradigm, Black (Diaspora) Studies and Spatial Literary Studies.