1st Edition
Reclaiming Critical Remix Video The Role of Sampling in Transformative Works
Introduction
1. The Specificity of Intertextual Media: Distinctive Characteristics of Remix
2. Visual Semiosis in Critical Remix: Decoding Echoes of the Past
3. Seeing is Believing: The Multimodal Rhetorical Potential of Remix
4. Critical Remix as Ideology Critique: An Alternative World View
5. Rethinking Intellectual Property: In Defence of the Right to Remix
Conclusion
Biography
Owen Gallagher currently lectures at the department of Web Media, Bahrain Polytechnic where he teaches remix through audio, video, animation and game design. He has lectured on design and media theory, as well as studio practice at a number of universities and colleges in Ireland and the UK, including the University of Ulster, LYIT and IT Tralee. He is co-editor of The Routledge Companion to Remix Studies (2015) and Keywords in Remix Studies (2017). He is the author of a number of book chapters and articles on remix culture, intellectual property, and visual semiotics, and has presented his research internationally. Owen is the founder of TotalRecut.com, an online community archive of remix videos, as well as co-founder of the Remix Theory and Praxis seminar group.
