1st Edition

Regina Mingotti: Diva and Impresario at the King's Theatre, London

By Michael Burden Copyright 2013
200 Pages
by Routledge

200 Pages
by Routledge

200 Pages
by Routledge

Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera... Read more
Contents: Foreword; Introduction: ’The Mingotti’ - a diva in the making; London opera: buildings, impresarios, repertoires, finances; Mingotti in London, 1754-57; London opera between 1757 and 1763; Mingotti redux, 1763-64; Appendices; Select bibliography; Index.

Biography

Michael Burden is Professor in Opera Studies at University of Oxford, and is Fellow in Music at New College, where he is also Dean. His published research is on the theatre music of Henry Purcell, on the staging of opera and dance in London in the seventeenth, eighteenth, and nineteenth centuries; his on-going research includes the administration of the Pyne-Harrison and English Opera Companies. He is currently working on two databases, the Italian Aria on the London Stage before 1801, and The London Stage 1800-1900, a calendar of performances. He organises the annual Oxford Dance Symposium with Jennifer Thorp, with whom he co-edited the Ballet de la Nuit Rothschild B1/16/6 in 2010.

’All in all, this volume makes a substantial contribution to our knowledge of Mingotti, and of cultural life and its organisation in mid 18th-century London’. The Consort '... this monograph is a welcome contribution to work on female performers in theatre and music in the eighteenth century.' Restoration and Eighteenth-Century Theatre Research