1st Edition
Remapping Brazilian Film Culture in the Twenty-First Century
Introduction
Part I
Chapter One: Making Films in Twenty-first-century Brazil
Chapter Two: Engaging With Audiences at Home and Abroad
Chapter Three: Women and Film Culture in Brazil
Chapter Four: Brazil’s LGBTQ Communities and Film Culture
Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century
Chapter Six: Screening the Indigenous Experience in Brazil
Part II
Chapter Seven: Cinema and Public Security: The Elite Squad
Phenomenon (2007-2010)
Chapter Eight: Lúcia Murat’s Olhar Estrangeiro (2005) and the
representation of Brazil on Foreign Screens
Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the
Garbage Aesthetic
Chapter Ten: A Cordial View from Brazil’s North East: Kleber Mendonça Filho’s Aquarius (2016)
Epilogue
Biography
Stephanie Dennison is Professor of Brazilian Studies and directs the Centre for World Cinemas at the University of Leeds. She has published widely on both world cinema and Brazilian film: she co-authored with Lisa Shaw Popular Cinema in Brazil (2004) and Brazilian National Cinema (2007).
