TABLE OF CONTENTS
List of Figures
List of Contributors
Acknowledgments
Chapter One: Representing Abortion
Rachel Alpha Johnston Hurst
Part One: Seeing (And Not Seeing) Abortion
Chapter Two: Secrets
Rachel Marie-Crane Williams
Chapter Three: It’s A Boy! Borted: Fetal Bodies, Graphic Abortion, and the Option to Look
Jeannie Ludlow
Chapter Four: Museums and the Material Culture of Abortion
Manon S. Parry
Chapter Five: Who’s Late?: Degrassi, Abortion, History
Michele Byers
Part Two: Fetal Materiality
Chapter Six: Representing the Cause: The Strategic Rebranding of the Anti-Abortion Movement in Canada
Kelly Gordon and Paul Saurette
Chapter Seven: Visual Realignment? The Shifting Visual Terrains of Anti-Abortion Strategies in the Republic of Ireland
Katherine Side
Chapter Eight: Look Like A Provider: Representing the Materiality of the Fetus in Abortion Care Work
Lena Hann and Jeannie Ludlow
Chapter Nine: Dressing Up the Mizuko Jizō: Materializing the Aborted Fetus in Japan
Aurore Yamagata-Montoya
Chapter Ten: Rattling Your Rage: Humour, Provocation, and the SisterSerpents
Claire L. Kovacs
Part Three: Abortion Storytelling and Memoir
Chapter Eleven: Abortion for Beginners
T. L. Cowan
Chapter Twelve: All Politics are Reproductive: Abortion and Environment in Marianne Apostolides’ Deep Salt Water
Heather Latimer
Chapter Thirteen: From Compulsion to Choice? The Changing Representations of Abortion in India
Sucharita Sarkar
Chapter Fourteen: Underground Women’s State: Polish Struggles for Abortion Rights
Dagmara Rode
Part Four: Representations for New Arguments
Chapter Fifteen: "What You Do Hurts All of Us!" When Women Confront Women Through Pro-Life Rhetoric
Jennifer Scuro
Chapter Sixteen: "This is How I was Born on the Operating Table of an Abortion Clinic": Reproductive Decision-Making in Teatro Luna
Melissa Huerta
Chapter Seventeen: Abortion and the Ideology of Love in Kathy Acker’s Blood and Guts in High School and Don Quixote, Which Was a Dream
Yoonha Shin
Index
Biography
Rachel Alpha Johnston Hurst is Associate Professor of Women's and Gender Studies at St. Francis Xavier University in Antigonish, Nova Scotia. Her research is concerned with the relationships between power, embodiment, and (visual) culture, from the perspectives of psychoanalysis and decolonial thought. She is author of Surface Imaginations: Cosmetic Surgery, Photography, and Skin (2015) and co-editor of Skin, Culture, and Psychoanalysis (2013). Her most recent essays have been published in History of Photography, Feminist Studies, Configurations, and Body & Society.
