1st Edition
Researchers as Tourists Fieldwork, Contingency and Autoethnography
Introduction: researchers as tourists
Keyan G. Tomaselli and Lauren Dyll
Part 1: Fieldwork contingency and analytic devices to challenge assumptions: cultural studies and positional reflexivity
1. Telling a good story
Keyan G. Tomaselli and Andrew Causey
2. Drawing flies: artwork in the field
Andrew Causey
3. Travel to a place both sad and cute
Andrew Causey
4. Privileged migration: American undergraduates, study abroad, academic tourism
Marcus Breen
5. In praise of religious reflexivity: reflections from fieldwork
Yaniv Belhassen
6. Stumbling over researcher positionality and political-temporal contingency in South African second-home tourism research
Gijsbert Hoogendoorn and Gustav Visser
7. The Tourism Researcher: ethical dilemmas during fieldwork in Africa, Bali and Myanmar
Claudia Bell
Part 2: Tourism as consumption
8. Consuming nature: Antarctica, penguins and pollution
Keyan G. Tomaselli
9. The baba and the patrao: negotiating localness in the tourist village
Pavithra Prasad
10. Your comfortable shopping
Patricia Ann McNair
11. The final frontier? An expedition to Antarctica and implications for the future
Malek Al-Chalabi
12. Authenticity and the contradictions of the “ecotourism script”: global marketing and local politics in Ghana
Bram Büscher, Renée van den Bremer, Robert Fletcher and Stasja Koot
Index
Biography
Lauren Dyll is a National Research Foundation-rated scholar and Associate Professor at the University of KwaZulu-Natal, Durban, South Africa, with research interests in cultural heritage and tourism, participation, identity, and knowledge production. She is the co-chair of the Participatory Communication Research Section of the International Association for Media and Communication Research and is the co-editor of the journal Critical Arts: South-North Cultural and Media Studies.
Keyan G. Tomaselli is Distinguished Professor of Humanities at the University of Johannesburg, South Africa, and a founder and the co-editor of Critical Arts. His applied research on cultural tourism from the perspectives of both subjects and tourists is widely published and impactful of actual ventures across South Africa.






