1st Edition
Rewriting the North Contemporary British Fiction and the Cultural Politics of Devolution
Acknowledgements
Declaration
Introduction: Placing the Cultural Politics of DevolutionPart 1: Stress Fractures
Chapter 1: Multicultural Britishness and the Urban North
Chapter 2: Post-British England and the Rural North
Part 2: Revolt
Chapter 3: Brexit England and the Deindustrial North
Chapter 4: Global Britishness and the Neo-Primitive North
Conclusion: Regional Development and the ‘Cultural Turn’
Works CitedIndex
Biography
Chloe Ashbridge is Lecturer in Modern and Contemporary Literature at Newcastle University, where her research concerns the interplay between British literature and politics. She is the author of several publications on working-class writing and neoliberalism, regional uneven development in Brexit literature, and the relationship between the literary North and Black Britishness. Chloe is currently researching the function of regional literary awards in the context of Britain’s devolving cultural and creative economy. Rewriting the North is her first book.
"Rewriting the North breaks new ground. This critically-informed and prescient study of the contemporary literary North moves deftly between cultural politics and literary aesthetics in order to propose an alternative future for the field."
– James Procter, Newcastle University, UK
"Rewriting the North registers the erratic pulse of contemporary British politics, especially in the post-Brexit moment. Ashbridge considers a range of understudied but significant texts, highlighting literature’s ability to help clarify regional politics and the reverberations of devolution."
– Simon Lee, Texas State University, USA
"Devolution is about the political meaning of Not Being England. But as Ashbridge brilliantly shows, adjusting the UK constitutional order places new pressures on England’s own nationhood and voice, sparking new questions of place, belonging and citizenship. (It turns out that a lot of England is also Not Being ‘England’.) If Brexit underscores the ailments of British Literature as a critical paradigm, this path-breaking study shrewdly examines what — other than alternative literary nationalisms — might come next."
– Scott Hames, University of Stirling, UK
