"Through artistic imaginaries, media productions, social practices and spatial mappings, this book offers an insightful and original contribution to the understanding of Rio de Janeiro, one of the highly contested urban terrains in the world. Offering a rich diversity of examples extracted from lived experience, iconographic materials, and narratives, it provides innovative and compelling connections between theoretical questions and urban vignettes. Throughout the essays, the specificity of Rio de Janeiro is highlighted but framed in relation to theoretical questions that are relevant to major contemporary cities. The book underlines the dilemmas of a city that attempts to compete globally while confronting social inequality, violence, and novel forms of democratic agency. It retraces Rio de Janeiro’s modernist memories as the former political/cultural capital of Brazilian intelligentsia and national culture. It explores Rio as a city of popular culture, mestizo legacies, media productions, and cultural innovation."
'This is a richly textured and fascinating examination of Rio, one of those iconic places that has functioned as a laboratory of alternative visions of what makes or breaks the good city' - John Urry, Distinguished Professor of Sociology, Lancaster University
"These beautifully written narratives of the multilayered physical and cultural histories of Rio de Janeiro brilliantly illuminate the "sedimentation of history" in one of the world’s most complex urban cultures. Beatriz Jaguaribe reveals a keen sense of the play of the visual and material city as well as that of the present and the past. The book is a tour de force of urban cultural study and a rich inquiry into the multiple imaginaries and meanings of city culture." - Thomas Bender, Professor of History, New York University
"After the vogue of urban cultural studies in recent decades, only a few texts remain standing. Beatriz Jaguaribe’s Rio de Janeiro clearly falls into this select group. She knows the impossibility of writing about the city without exhausting all modes of examination and she does this superbly well, drawing on literature, theory and history with a richness and nuance which is both inspired and penetrating." - Adrián Gorelik, urban and intellectual historian, University of Quilmes / Conicet, Argentina
"Jaguaribe (communications, Federal Univ. of Rio de Janeiro) provides equally insightful analyses whether dealing with architecture and planning, photography, carnival and other celebrations, literary models of the flaneur, or film or other visualizations. In particular, the author shows herself at home in deconstructing elite modernist visions and revisions and in guiding readers through subaltern readings that emerge from the photograph, the crowd, the beach, and the favela while engaging Brazilian and other global scholarships. Hence, Jaguaribe complicates visions of the best-known icons of this city through history, social process, aesthetics, and political economics while challenging scholars in humanities and social sciences about how they must rethink urban imaginaries. A stimulating and important book for all academic audiences. Summing Up: Highly recommended" - G. W. McDonogh, Bryn Mawr College, CHOICE Reviews, May 2015
Introduction: The Eyes of the City 1. Imagining the Marvelous City: Spectacle and urban spaces 2. Modernist Ruins: National narratives and architectural forms 3. The Visible and the Invisibles: Photography and social imaginaries in Brazil 4. Carnival Crowds 5. Tropical Babylon: Copacabana and the poetics of nostalgia and decadence 6. Favelas: Realist aesthetics, consumption and authorship 7. Narrating the Streets Afterword
This series establishes the importance of innovative contemporary, comparative and historical work on the relations between social, cultural and economic change. It publishes empirically-based research that is theoretically informed, that critically examines the ways in which social, cultural and economic change is framed and made visible, and that is attentive to perspectives that tend to be ignored or side-lined by grand theorising or epochal accounts of social change. The series addresses the diverse manifestations of contemporary capitalism, and considers the various ways in which the `social', `the cultural' and `the economic' are apprehended as tangible sites of value and practice. It is explicitly comparative, publishing books that work across disciplinary perspectives, cross-culturally, or across different historical periods.
We are particularly focused on publishing books in the following areas that fit with the broad remit of the series:
The series is actively engaged in the analysis of the different theoretical traditions that have contributed to critiques of the `cultural turn'. We are particularly interested in perspectives that engage with Bourdieu, Foucauldian approaches to knowledge and cultural practices, Actor-network approaches, and with those that are associated with issues arising from Deleuze's work around complexity, affect or topology. The series is equally concerned to explore the new agendas emerging from current critiques of the cultural turn: those associated with the descriptive turn for example. Our commitment to interdisciplinarity thus aims at enriching theoretical and methodological discussion, building awareness of the common ground has emerged in the past decade, and thinking through what is at stake in those approaches that resist integration to a common analytical model.