1st Edition
Romanesque and the Past Retrospection in the Art and Architecture of Romanesque Europe
INTRODUCTION
Veteres statuas emit Rome: Romanesque Attitudes to the Past
GERHARD LUTZ Memorising Bernward of Hildesheim in the 12th Century. A Contribution to High Medieval Imitatio
LUCY DONKIN Making an Impression: Consecration and the Creation of Architectural Memory
RICHARD GEM St Peter’s basilica in Rome c.1024-1159: A Model for Emulation?
KAI KAPPEL Architecture as a Visual Memento? La Roccelletta in Calabria
JILL FRANKLIN Iconic Architecture and the Medieval Reformation: Ambrose of Milan, Peter Damian, Stephen Harding and the Aisleless Cruciform Church
CLAUDE ANDRAULT-SCHMITT Archaism or Singularity: The Nave Clerestory in Romanesque Architecture between the Loire and Dordogne
NEIL STRATFORD Cluny and the Past
MANUEL CASTINEIRAS The Portal at Ripoll Revisited: An Honorary Arch for the Ancestors
ELIZABETH VALDEZ DEL ALAMO Tarragona: Lieu de mémoire
ROGER STALLEY On the Edge of the World: Hiberno-Romanesque and the Classical Tradition
BELA SZOLST SZAKACS The Reconstruction of Pannonhalma: Archaism in 13th-Century Hungary
DEBORAH KAHN Uses of the Past in English Romanesque Sculpture: Beyond the Antique
PETER FERGUSSON Three Romanesque Patrons and their Interest in History: Anselm of Bury, Ailred of Rievaulx, Wibert of Canterbury
STEPHAN ALBRECHT Artistic Strategies for Institutional Memory: Trier, Villenauxe, Glastonbury
BEATRICE KITZINGER From Hrabanus Maurus to Regensburg: Romanesque Praise for the Holy Cross
ANDREA WORM Visualising History: The Rise of Pictorial Concepts in Twelfth-Century Chronicles
CONRAD RUDOLPH Time, Place and the Construction of History in Early Twelfth-Century Paris
ERIC FERNIE The Concept of the Romanesque
Biography
John McNeill teaches at Oxford University’s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King’s Lynn and the Fens, the medieval cloister, and English medieval chantries. He has a particular interest in Romanesque architectural sculpture and the design of medieval monastic precincts. Richard Plant is Director of the Arts of Europe programme at Christie’s Education in London. He is Honorary Publicity Office for the British Archaeological Association and has published on Romanesque architecture in England and the Holy Roman Empire. His previous editorial experience was for The Rough Guide to Jazz (1995).
