1st Edition
Romantic Adaptations Essays in Mediation and Remediation
186 Pages
by
Routledge
186 Pages
by
Routledge
186 Pages
by
Routledge
Also available as eBook on:
How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses... Read more
Introduction, Cian Duffy, Peter Howell, Caroline Ruddell; Chapter 1 ‘Reason in China is not Reason in England’, Peter Kitson; Chapter 2 Through a Glass Darkly, Joseph Crawford; Chapter 3 Adapting Rights, James Vigus; Chapter 4 Adapting to Dissect, Matthew Sangster; Chapter 5 The Miniature Sublime, Michael Bradshaw; Chapter 6 The Beauties of Byron and Shelley, Daniel Cook; Chapter 7 ‘In perfect volume form, Price Sixpence’, Annika Bautz; Chapter 8 The Imprisonment of Foucault, Peter Howell; Chapter 9 The Monstrous Hybrid as Object of Scientific Experiment, Allyson Purcell-Davis;
Biography
Cian Duffy is Reader in English Literature, Peter Howell is Senior Lecturer in English Literature and Caroline Ruddell is Senior Lecturer in Film and Popular Culture at St. Mary's University College, UK.
'The very idea of a collection of essays on the topic 'romantic adaptations' - counter-intuitive for an era whose ideology of originality is infamous - makes this an appealingly contrarian volume from the start. It is well set-up by an able critical, theoretical, and historical introduction that deconstructs various commonly accepted hierachies: those of 'original' source material and adaptation, as well as high art and popular culture.' BARS Review
