256 Pages
by Routledge

256 Pages
by Routledge

The appearance of the solo voice in church music in 1602, in Lodovico da Viadana’s Cento concerti ecclesiastic i, initiated a development that would soon parallel secular solo song. This series of Italian solo motets makes available for the first time many of these rich sources of seventeenth-century sacred music. The series spans the major part of the seventeenth century, from 1621 to 1695.... Read more

Bonifazio Oraziani (Gratiani): Il quarto libro de mottetti a voce sola, Op. 10 (terza impressione), Roma, per il successori al Mascardi, 1677. Bonifazio Oraziani: Partitura del quinto libro de mottetti a voce sola, Op. 16, Roma, per Amadeo Belmonte, 1669. Bonifazio Graziani: Sacrae camiones una tantum voce cum organo decantandae . . . Liber Sextus, Op. 19, Romae: excudebat successori Mascardi, 1672.

Biography

Anne Schnoebelen (Edited by)