1st Edition
Routledge Handbook of Japanese Cinema
Introduction
Part I. Decentering Classical Cinema: Modernity, Translation, and Mobilization
1. Suspense and Border Crossing: Ozu Yasujirō’s Crime Melodrama
Ryoko Misono (translated by Kimberlee Diane Sanders and Shota T. Ogawa)
2. Beyond Mt. Fuji and the Lenin Cap: Identity Crisis in Taniguchi Senkichi’s Akasen kichi (The Red Light Military Base, 1953)
Hideyuki Nakamura (translated by Shota T. Ogawa and Bianca Briciu)
3. Home Movies of the Revolution: Proletarian Filmmaking and Counter-Mobilization in Interwar Japan
Diane Wei Lewis
4. When Marnie Was There: Female Friendship Film and the Genealogy of Queer Girls Culture
Yuka Kanno
5. Making Sense of Nakai Masakazu’s Film Theory, "Kino Satz"
Mitsuyo Wada-Marciano
6. Geysers of Another Nature: The Optical Unconscious of the Japanese Science Film
Anne McKnight
Part II. Questions of Industry: Critical Studies of Regulatory Frameworks, Creative Labor, and Distributive Networks
7. Kaiju Films as Exportable Content: Reassessing the Function of the Japanese Film Export Promotion Association
Takeshi Tanikawa (translated by Caitlin Casiello and Joanne Bernardi)
8. “Fugitives” from the Studio System: Ikebe Ryō, Sada Keiji, and the Transition from Cinema to Television in the Early 1960s
Takafusa Hatori
9. Solo Animation in Japan: Empathy for the Drawn Body
Paul Roquet
10. Media Models of "Amateur" Film and Manga
Alexander Zahlten
Part III. Intermedia as an Approach: Tracing Genealogies across Disciplines and Media
11. Utsushie: Japanese Magic Lantern Performance as Pre-cinematic Projection Practice
Machiko Kusahara
12. "Inter-Mediating" Global Modernity: Benshi Film Narrators, Multisensory Performance, and Fan Culture
Kyoko Omori
13. Between Silent and Sound: The Liminal Space of the Japanese "Sound Version"
Johan Nordström
14. Marionettes No Longer: Politics in the Early Puppet Animation of Kawamoto Kihachirō
Noboru Tomonari
15. Rhetorics of Autonomy and Mobility in Japanese "AAA" Games: The Metal Gear Solid and Resident Evil Series within a Global Media Context
Daniel Johnson
16. Pointing Through the Screen: Archiving, Surveillance, and Atomization in the Wake of Japan’s 2011 Triple Disasters
Joel Neville Anderson
Part IV. The Object Life of Film: Site-Specific Approaches to Japanese Cinema Studies
17. A Historical Survey of Film Archiving in Japan
Kae Ishihara
18. Japanese Film History and the Challenges of IMAGICA WEST Corp.
Kanta Shibata (translated by Thomas Kabara and Isabella Bilodeau)
19. A Case Study of Japanese Film Exhibition in North America: The Japan Society, New York
Kyoko Hirano
20. Regional Film Archive in Transit: Yasui Yoshio and Kobe Planet Film Archive
Shota T. Ogawa
21. New Paths toward Preserving Japanese Cinema: The Toy Film Museum Backstory
Joanne Bernardi
Biography
Joanne Bernardi is Professor of Japanese/Film and Media, University of Rochester. Her background includes East Asian Studies, film preservation, filmmaking, and photography. She directs the Re-Envisioning Japan DH Project; publications include Japanese and silent cinema, film historiography, screenwriting, material culture, tourism, popular culture, and digital humanities.
Shota T. Ogawa is Assistant Professor of Cinema Studies at Nagoya University, Japan. With a background in Visual and Cultural Studies, his research interests include postcolonial hybridity in Japanese cinema, tourism and travel films in imperial Japan, and trans-cultural migration of passing narratives.
