This series presents the latest research into and criticism of Romanticism. Books will consider both canonical and non-canonical literature, and the series as a whole aims to present a range of research, unconfined by any particular approach or school of thought.
By Joshua Schouten de Jel
March 26, 2024
Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory ‘Argument,’ there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon’s call to Theotormon’s eagles and her offer to...
Edited
By Andrea Ceccherelli
February 22, 2024
Dante and Polish Writers from Romanticism to the Present explores the phenomenon of Polish Danteism from a hermeneutic perspective. The essays shed light on a series of “encounters” of eminent Polish writers with Dante and the Divine Comedy, resulting in original interpretations, creative ...
Edited
By Evy Varsamopoulou
December 01, 2023
Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the...
By Deryl Davis
November 17, 2023
This book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’...
By Franco Marucci
September 25, 2023
The negative historical judgment given to George Eliot’s ‘The Lifted Veil’ amounts nowadays to a gross critical blunder, and in the last three decades the story has been firmly reinstated in Eliot’s major canon. The premise of the present book is that George Eliot’s oeuvre is a compact macrotext ...
By Merrilees Roberts
May 31, 2023
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley’s anguished poet-Subject. Shelley’s struggles with the fragility of the ‘self’ have largely been seen as the result of thinking which connects emotional hyperstimulation to ...
By Eliza Borkowska
May 31, 2023
Called by one of its reviewers "Wordsworth’s biographia literaria," this book takes its reader on a fascinating journey into the mind of the poet whose attitude to God and religion points to a major shift in Western culture. The monograph probes the philosophical foundations of Wordsworth’s ...
By Kristin Flieger Samuelian
May 31, 2023
The Moving Body and the English Romantic Imaginary explores ways in which England in the Romantic period conceptualized its relation both to its constituent parts within the United Kingdom and to the larger world through discussions of dance, dancing, and dancers, and through theories of dance and ...
By Eliza Borkowska
May 31, 2023
Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious ...
By Sheila A. Spector
May 20, 2020
Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of...
By Sarah Ailwood
August 20, 2019
This book illuminates Jane Austen’s exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot ...
By Michael Steier
July 23, 2019
In the second decade of the nineteenth century, the British press began a campaign of critical abuse against Leigh Hunt, caricaturing the radical journalist as an upstart "Cockney" author whose literary talents were as disreputable as his politics. Lord Byron, on the other hand, was revered as a ...