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BOOK SERIES


Royal Musical Association Monographs: Royal Musical Association Monographs


About the Series

This series was originally supported by funds made available to the Royal Musical Association from the estate of Thurston Dart. Its purpose is to provide a medium for specialized investigations of a topic, concept or repertory - studies of a kind that would not normally be feasible for commercial publishers and that would be too long for most periodicals.

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Skryabin, Philosophy and the Music of Desire

Skryabin, Philosophy and the Music of Desire

1st Edition

By Kenneth M. Smith
January 17, 2013

Commentary on Skryabin has struggled to situate an understanding of the composer's music within his idiosyncratic philosophical world views. Early commentators' efforts to do so failed to establish a thorough or systematic approach. And later twentieth-century studies turned away from the ...

The Genesis and Development of an English Organ Sonata

The Genesis and Development of an English Organ Sonata

1st Edition

By Iain Quinn
May 05, 2017

This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument’s capabilities came an opportunity for organist-composers to consider the repertoire anew with ...

Towards a Harmonic Grammar of Grieg's Late Piano Music Nature and Nationalism

Towards a Harmonic Grammar of Grieg's Late Piano Music: Nature and Nationalism

1st Edition

By Benedict Taylor
March 22, 2017

The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades of his life. Grieg was enchanted by what he styled the ’dreamworld’ of harmony, a magical realm whose principles the composer felt remained a ...

Playing on Words A Guide to Luciano Berio's Sinfonia

Playing on Words: A Guide to Luciano Berio's Sinfonia

1st Edition

By David Osmond-Smith
April 05, 2016

Luciano Berio's Sinfonia (1968) marked a return by the composer to orchestral writing after a gap of six years. This in-depth study demonstrates the central position the work occupies in Berio's output. David Osmond-Smith discusses the way in which Berio used the Bororo myth described in ...

Magister Jacobus de Ispania, Author of the Speculum musicae

Magister Jacobus de Ispania, Author of the Speculum musicae

1st Edition

By Margaret Bent
March 18, 2016

The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of ...

The 'Ars musica' Attributed to Magister Lambertus/Aristoteles

The 'Ars musica' Attributed to Magister Lambertus/Aristoteles

1st Edition

By Christian Meyer, translated by Karen Desmond
May 15, 2015

The treatise on musica plana and musica mensurabilis written by Lambertus/Aristoteles is our main witness to thirteenth-century musical thought in the decades between the treatises of Johannes de Garlandia and Franco of Cologne. Most treatises on music of this century - except for Franco’s treatise...

Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre Mattheson’s Universal Style in Theory and Practice

Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson’s Universal Style in Theory and Practice

1st Edition

By Margaret Seares
October 22, 2014

A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson’s Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians ...

The Politics of Verdi's Cantica

The Politics of Verdi's Cantica

1st Edition

By Roberta Montemorra Marvin
July 28, 2014

The Politics of Verdi's Cantica treats a singular case study of the use of music to resist oppression, combat evil, and fight injustice. Cantica, better known as Inno delle nazioni / Hymn of the Nations, commissioned from Italy's foremost composer to represent the newly independent nation at the ...

Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

1st Edition

By Nicholas Marston
November 22, 2013

In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erläuterungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as ...

Brahms Beyond Mastery His Sarabande and Gavotte, and its Recompositions

Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions

1st Edition

By Robert Pascall
May 29, 2013

In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as ...

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

1st Edition

By Philip Ross Bullock
November 28, 2009

Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, ...

Sacred Repertories in Paris under Louis XIII Paris, Bibliothèque nationale de France, MS Vma rés. 571

Sacred Repertories in Paris under Louis XIII: Paris, Bibliothèque nationale de France, MS Vma rés. 571

1st Edition

By Peter Bennett
November 28, 2009

The study of sacred music under Louis XIII (r.1610-43) has advanced little in the past hundred years. Despite some important recent contributions by the late Denise Launay and others, much of our current perception of the Latin sacred music of the period is still informed by the pioneering research...

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