1st Edition

Samba, Blues and Jazz Love, Money and Race in Brazilian and American Music

By Ruben George Oliven Copyright 2026
166 Pages 11 Color & 5 B/W Illustrations
by Routledge

166 Pages 11 Color & 5 B/W Illustrations
by Routledge

This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race. These musical styles developed at the beginning of the twentieth century when... Read more

1 Introduction: Sing Your Sorrows in Three Minutes; 2 The Origins; 3 Why Work?; 4 Powerful Women; 5 Nothing But Money Is Sweeter than Honey; 6 Racial Relations; 7 Everyone Wants to Play in Paris; 8 Interactions between Brazilian and American Popular Music; 9 Conclusion

Biography

Ruben George Oliven is a professor of anthropology at the Federal University of Rio Grande do Sul in Porto Alegre, Brazil, and a member of the Brazilian Academy of Sciences. A former Fulbright scholar, he has held visiting professorships at several universities, including the University of California-Berkeley, Brown University, Dartmouth College, University of Illinois, Emory University, the University of Paris, and Leiden University. He is the recipient of the Érico Vannucci Mendes Prize for his distinguished contributions to the study of Brazilian culture. His research focuses on urbanization, national and regional identities, popular culture and music, and the symbolic dimensions of money.