1st Edition
Schubert the Progressive History, Performance Practice, Analysis
Edited By Brian Newbould
Copyright 2003
200 Pages
by
Routledge
200 Pages
by
Routledge
200 Pages
by
Routledge
Also available as eBook on:
The eleven essays that comprise this volume represent some of the most significant strands of current Schubert research. Arising from an international conference organized by the Schubert Institute (UK) and the University of Leeds in 2000, the emphasis of the papers is on issues of performance practice, analysis and hermeneutics.
In the opening essay of the book, Charles Rosen illuminates some... Read more
Contents: Preface; Schubert and the example of Mozart, Charles Rosen; Death and the composer: the context of Schubert's supernatural Lieder, Clive McClelland; Notation and performance: dynamic marks in Schubert's manuscripts, Walther Dürr; Tonal implication and the gestural dialectic in Schubert's A Minor Quartet, James William Sobaskie; Schöne Welt, wo bist du?: motive and form in Schubert's A Minor String Quartet, Nicholas Rast; Timelessness and ‘released time’ — Franz Schubert and composition today, Susanne Kogler; Unknown versions of Schubert's early piano sonatas, Walburga Litschauer; Cornered in the middle eight: dance miniaturism vis-à-vis sonata, Brian Newbould; Reading between the lines of tempo and rhythm in the B Flat Sonata, D960, Roy Howat; The Doppelgänger revealed?, Roger Neighbour; Schubert's Pastoral: the Piano Sonata in G Major, D894, Robert Hatten; General Index; Index of works by Schubert referred to in the text.
Biography
Brian Newbould
