Introduction: Semiotic Ghosts and Broken Dreams
Part 1: Gender, Technology and the Body
1. Bodies in Space: Film as Carnal Knowledge, Annette Michelson
2. Typewriter, Friedrich Kittler
3. Horror and the Monstrous Feminine, Barbara Creed
4. Scary Women: Cinema, Surgery and Special Effects, Vivian Sobchack
5. excerpts from Connected: What it Means to Live in Network Society, Steve Shaviro
6. Gendering the Technological Imagination, Anne Balsamo
Part 2: The Science-Fictionalization of Everyday Life
7. Bloodless Transfusions, Manuel De Landa
8. Transplant Medicine and Transformative Narrative, Susan Squier
9. Bioinformatic Bodies and the Problems of ‘Life Itself’, Eugene Thacker
10. A Monstrous Vision: Disney, Science Fiction and Cinemascope, Jay Telotte
11. Everyday Nanowars: Video Games and the Crises of the Digital Battlefield, Colin Milburn
12. Practicing Media Archaeology: Creative Metaphors for Remediation, Jussa Parikka
Part 3: Media, Mediation, Science Fiction
13. The Videology of Science Fiction, Garrett Stewart
14. The Cinema of Attractions, Tom Gunning
15. The Ecstasy of Communication, Jean Baudrillard
16. On a Clear Day You Can See the Horizon of Invisibility: Rethinking Science Fiction Film in the Age of Electronic (Re)Production, Brooks Landon
17. The Wonder Years and Beyond: 1989-1995, Michelle Pierson
18. The Cultural Logic of Media Convergence, Henry Jenkins
Part 4: Posthumanisms
19. The Cyborg Manifesto, Donna Haraway
20. The Life Cycle of Cyborgs, N. Katherine Hayles
21. The Image Virus, Scott Butkatman
22. Meta(l)morphoses, Rosi Braidotti
23. The Transmolecularization of [Black] Folk: Space in the Place, Sun Ra, and Afrofuturism, Nabeel Zuberi
24. When the Machines Stop: Fantasy, Reality and Terminal Identity in Neon Genesis: Evangelion and Serial Experiments: Lain, Susan Napier
Biography
Sherryl Vint is Professor of Science Fiction Media Studies at the University of California, Riverside, USA. She is the author of Bodies of Tomorrow (2007), Animal Alterity (2010), The Wire (2013), and Science Fiction: A Guide for the Perplexed (2014). She is the coauthor of The Routledge Concise History of Science Fiction (2011), and coeditor of The Routledge Companion to Science Fiction (2009), Fifty Key Figures in Science Fiction (2009), and Beyond Cyberpunk (2010). She is an editor of the journals Science Fiction Studies and Science Fiction Film and Television and is a recipient of the Science Fiction Research Association’s Pioneer Award.
