This book examines how football, as a mass spectator sport, came to represent a novel, unique cultural identity of Bengali people in terms of nation, community, region/locality and club, contributing to the continuity of everyday socio-cultural life. It explains how football became a viable popular social force with a rare emotional spontaneity and peculiar self-expressive fan culture against the background of anti-imperial nationalist movement and postcolonial political tension and social transformation. In the process, it investigates certain key questions and problems in the social history of football in Bengal, which have hitherto been ignored in the existing works on the subject.
The author offers some original arguments in treating football as a cultural phenomenon, setting it squarely in the context of Bengali politics and society. It strengthens the premise that social history of South Asian sport can be meaningfully understood only by looking beyond the sports field. The study, using sport as a lens, has tried to consider some relevant themes of social history, and brings forth important issues of political and cultural history of 20th-century Bengal. Simultaneously, it highlights the transformed role of football as an instrument of reaction, resistance and subversion. It indicates that the football field of Bengal proves to be a mirror image of what society experiences in its cultural and political field, through a series of historical projections of identity, difference and culture.
This series brings together research on South Asia in the humanities and social sciences, and provides scholars with a platform covering, but not restricted to, their particular fields of interest and specialisation.
A significant concern for the series is to focus across the whole of the region known as South Asia, and not simply on India, as is often the case. There will be a conscious attempt to publish regional studies and bring together scholarship on and from Pakistan, Bangladesh, Sri Lanka, Nepal and other parts of South Asia.
This series will consciously initiate synergy between research from within academia and that from outside the formal academy. A focus will be to bring into the mainstream more recently developed disciplines in South Asian studies which have till date remained in the nature of specialised fields: for instance, research on film, media, photography, sport, medicine, environment, to mention a few. The series will address this gap and generate more comprehensive knowledge fields.