1st Edition

Screenwriter's Compass Character As True North

By Guy Gallo Copyright 2012
    214 Pages
    by Routledge

    214 Pages
    by Routledge

    Ever watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking-I just didn't buy it. Chances are it was because you didn't care about the characters. Screenwriter's Compass presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character.

    Screenwriter's Compass will not offer formulas to follow but instead will give you the tools needed to chart your own path to screenwriting success. It details useful ways of thinking about writing, as well as practical ideas and concepts to help you discover the unique geography of your own imagination and navigate the problems posed by the struggle to express vision, agenda, and story. You'll learn how to root your writing in motivation and voice, to create screenplays that seduce and make your reader lean forward, and, most importantly, identify with your characters.


    Screenwriter's Compass

    Big Deal-You're Writing a Screenplay

    Gear Up

    Screenwriting Is Writing



    Reading Theory

    Upsetting Aristotle

    Putting Aristotle to Work

    Character-Driven versus Plot-Driven

    Fable and Construct

    Turning Theory to Task


    Master Shot Screenplay

    Reading Screenplays

    Composition Creates Story

    On Outlines

    On Character Histories

    On Treatments

    On Adaptation


    The Blank Page

    Scene and Action Description

    Camera Gestures and Paragraphing

    Being God

    Character Logic

    Hearing Voices


    Thinking of Structure

    Breaking a Block


    First Reader

    Looking Again for Logic


    Challenges and Pitfalls

    On Expectation


    Wrighting a Screenplay

    Screenplay Format

    Series of Shots




    Passion and Purpose

    Happy Accident

    Intuition and Analysis



    Guy Gallo's first produced screenplay (Under the Volcano) was directed by John Huston and released in 1984. Since then he has written over a dozen feature screenplays, with four others produced. He has over 20 years of teaching experience at the Columbia University's School of the Arts, New York University, and Barnard College, his students including James Mangold (Girl Interrupted, 3:10 to Yuma, Walk the Line), and Greg Mottola (Superbad, Adventureland).

    "More than just the compass..this is the whole ship.  Designed to safely navigate a screenwriter's journey to safe harbor, it's a virtual mega-yacht of a book: swift, secure, beautifully detailed...and above all, fun. Guy Gallo is one of the very few practitioners of the art who can show you how to chart your own course...and survive." --Tony Bill, producer The Sting (1973)

    "I now have a screenwriting bible. As a working screenwriter, Gallo's words serve as a fantastic check-list for producing quality work. As a teacher of filmmaking, Gallo has provided my students and I with an incredibly useful and lucid set of tools. Gallo is a generous man for sharing his screenwriting genius." -- Emily Abt, writer, director, film professor, Princeton University

    "Guy Gallo celebrates the adventure of writing a screenplay. He encourages writers to end up with 'a surprise that wasn't what you sat down to write.' It's simply the best book about writing for the screen I've read." -- Terry Jones, screenwriter, Monty Python and the Holy Grail; Life of Brian; Labyrinth

    "...Gallo offers readers clear, concise tips on and examples of screenwriting techniques, liberally sprinkled with his personal experiences as a screenwriter. Accessible and engaging, Gallo's book makes an excellent resource and guide for both novices and professionals looking to add another tool to their screenwriting toolbox. Summing Up: Recommended." -- A. F. Winstead, Our Lady of the Lake University, CHOICE