1st Edition
Self-Reflective Fiction and 4E Cognition An Enactive Approach to Literary Artifice
Table of Contents
- Introduction: An Enactive Approach to Self-Reflective Fiction
- The Metaphorical Seeing-As
- The Artificial Spatiality of Literary Environments
- Temporality and Embodied Knowledge
2.1 ‘A Clean, Bright Paradox’: A.S. Byatt’s Self-Conscious Realism in Still Life
2.2 Speculative Fiction, Self-Reflection and Literal Narratology in Catherynne M. Valente’s ‘Silently and Very Fast’
3.1 Enactive Perception and Fictional Worlds: China Miéville’s The City & The City
3.2 Making Space: Affordances and Literary Engagement in Ali Smith’s There but for the
- The Speed of Thought in John Barth’s ‘On with the Story’
- Self-Reflective Knowledge and Narrative Emotions in Ted Chiang’s ‘Story of Your Life’
- Fictionality as Artifice
- Affect and Artifice in Dave Eggers’s The Heartbreaking Work of Staggering Genius
- Double Vision and the Instrumental Value of Fiction: Christopher Priest’s The Prestige
Biography
Merja Polvinen is Senior Lecturer in English studies and Docent (Associate Professor) in comparative literature at the University of Helsinki, Finland.
Merja Polvinen’s Self-Reflective Fiction and 4E Cognition productively challenges the idea that immersion in narrative involves losing awareness of literary form. It rethinks the act of reading by combining close discussion of speculative fiction with a sophisticated cognitive theory of narrative.
- Marco Caracciolo, Associate Professor of English, Ghent University, Belgium
Fictional worlds that pull you in by showing you how they are made, self-referential narrators and a double-take on perception through literary texts: Drawing on cutting-edge cognitive science and literary studies, Merja Polvinen lifts the curtain on how literature works its magic.
- Professor Karin Kukkonen, University of Oslo, Norway.
