Sensational Deviance: Disability in Nineteenth-Century Sensation Fiction, 1st Edition (Hardback) book cover

Sensational Deviance

Disability in Nineteenth-Century Sensation Fiction, 1st Edition

By Heidi Logan


268 pages

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Hardback: 9781138319905
pub: 2018-07-03
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Sensational Deviance: Disability in Nineteenth-Century Sensation Fiction investigates the representation of disability in fictional works by the leading Victorian sensation novelists Wilkie Collins and Mary Elizabeth Braddon, exploring how disability acts as a major element in the shaping of the sensation novel genre and how various sensation novels respond to traditional viewpoints of disability and to new developments in physiological and psychiatric knowledge. The depictions of disabled characters in sensation fiction frequently deviate strongly from typical depictions of disability in mainstream Victorian literature, undermining its stigmatized positioning as tragic deficit, severe limitation, or pathology.

Close readings of nine individual novels situate their investigations of physical, sensory, and cognitive disabilities against the period’s disability discourses and interest in senses, perception, stimuli, the nervous system, and the hereditability of impairments. The importance of moral insanity and degeneration theory within sensation fiction connect the genre with criminal anthropology, suggesting the genre’s further significance in the light of the later emergence of eugenics, psychoanalysis, and genetics.

Table of Contents


- Introduction

- PART ONE: Wilkie Collins And Disabled Identities

1. Hide and Seek (1854)

2. The Dead Secret (1857)

3. Poor Miss Finch (1871-2)

4. The Law and the Lady (1875)

- PART TWO: Mary Elizabeth Braddon And Disabled Identities

5. The Trail of the Serpent (1860-1)

6. Lady Audley’s Secret (1861-2) and John Marchmont’s Legacy (1862-3)

7. The Lady’s Mile (1866) and One Thing Needful (1886)

8. Conclusion

- Bibliography

About the Author

Heidi Logan holds a PhD. in English from the University of Auckland, a Master of Arts in English from Wilfrid Laurier University, and a Master of Shakespeare Studies from The Shakespeare Institute, University of Birmingham. Previous publications include monograph reviews for the Australasian Journal of Victorian Studies (AJVS): Review of Women Writers and Detectives in Nineteenth-Century Crime Fiction, in AJVS 19.1 (2014), 77-79; Review of Science, Sexuality and Sensation Novels: Pleasures of the Senses, in AJVS 18.2 (2013), 42-44.

About the Series

Routledge Studies in Nineteenth Century Literature

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