1st Edition

Shakespeare and Emotional Expression Finding Feeling through Colour

By Bríd Phillips Copyright 2022
184 Pages
by Routledge

184 Pages
by Routledge

184 Pages
by Routledge

Shakespeare and Emotional Expression offers an exciting new way of considering emotional transactions in Shakespearean drama. The book is significant in its scope and originality as it uses the innovative medium of colour terms and references to interrogate the early modern emotional register. By examining contextual and cultural influences, this work explores the impact these influences have... Read more

Introduction: The expression of emotion through systems of colour: Uncovering ways of feeling

Chapter One: ‘And weep to hear him speak’: Colour, emotion, and rhetoric in Titus Andronicus

Chapter 2: ‘For blushing cheeks by faults are bred / And fears by pale white shown’: Reading the face for colour and emotion in Love’s Labour’s Lost

Chapter 3: ‘There’s something in his soul / O’er which his melancholy sits on brood’: Senses, science, and the Imagination

Chapter 4: ‘Not black in my mind, though yellow in my legs’: Bodies, clothes, colour, and passions in Twelfth Night

Chapter 5: ‘O well-painted passion’: Cultural commonplaces of colour and affective patterns in Othello

Afterword

Biography

Bríd Phillips is a senior lecturer at Edith Cowan University, Australia. She has a PhD in Shakespearean Studies and her research has been supported by the Australian Research Council, Centre of Excellence for The History of Emotions. Recent publications include Hamlet and Emotions, edited with Paul Megna and Robert White (2019) and ‘“Devils Will the Blackest Sins Put On”: The Emotional Register of Colour’ in Matters of Engagement: Emotions, Identity, and Cultural Contact in the Premodern World (2020).